Nothing is so valuable that it need not be started afresh, nothing is so rich that it need not be enriched constantly.
____________________________________________
What's the use of exchanging one isolation, one monotony, one lie for another? When the illusion of real change has been exposed, a mere change of illusion becomes intolerable. But present conditions are precisely these: the economy cannot stop making us consume more and more, and to consume without respite is to change illusions at an accelerating pace which gradually dissolves the illusion of change. We find ourselves alone, unchanged, frozen in the empty space behind the waterfall of gadgets, family cars and paperbacks.
__________________________
We have nothing in common except the illusion of being together.
__________________________
Is it that I think that I am happy? Hardly! Such a belief doesn't stand up to analysis any better than it withstands the blasts of anguish. On the contrary, it is a belief in the happiness of others, an inexhaustible source of envy and jealousy which gives us a vicarious feeling of existence. I envy, therefore I am. To define oneself by reference to others is to define oneself as other. And the other is always object. So that life is measured in degrees of humiliation, the more you 'live': the more you live the orderly life of things. Here is the cunning of reification, by which it passes undetected, like arsenic in the jam.
__________________________
Human relationships can hardly be discussed in terms of more or less tolerable conditions, more or less admissible indignities. Qualification is irrelevant. Do insults like 'wog' or 'nigger' hurt more than a word of command? When he is summoned, told off, or ordered around by a policeman, a boss, an authority, who doesn't feel deep down, in moments of lucidity, that he is a darkie and a gook?
__________________________
It was as if they were in a cage whose door was wide open without their being able to escape. Nothing outside the cage had any importance, because nothing else existed any more. They stayed in the cage, estranged from everything except the cage, without even a flicker of desire for anything outside the bars. it would have been abnormal -- impossible in fact -- to escape into something which had neither reality nor importance. Absolutely impossible. For inside this cage, in which they had been born and in which they would die, the only tolerable framework of experience was the Real, which was simply an irresistible instinct to act so that things should have importance. Only if things had some importance could one breathe, and suffer. it seemed that there was an understanding between them and the silent dead that it should be so, for the habit of acting so that things had some importance had become a human instinct, and one which was apparently eternal. Life was the important thing, and the Real was part of the instinct which gave life a little meaning. The instinct didn't try to imagine what might lie beyond the Real, because there was nothing beyond it. Nothing important. The door remained open and the cage became more and more painful in its Reality which was so important for countless reasons and in countless ways.
__________________________
Love in its turn swells the illusion of unity. Most of the time it gets fucked up and miscarries. Its songs are crippled by fear of always returning to the same single note: whether there are two of us, or even ten, we will finish up alone as before. What drives us to despair is not the immensity of our own unsatisfied desires, but the moment when our newborn passion discovers its own emptiness. The insatiable desire to fall in love with so many pretty girls is born in anguish and the fear of loving: we are so afraid of never escaping from meetings with objects. The dawn when lovers leave each other's arms is the same dawn that breaks on the execution of revolutionaries without a revolution. Isolation a deux cannot confront the effect of general isolation. Pleasure is broken off prematurely and lovers find themselves naked in the world, their actions suddenly ridiculous and pointless. No love is possible in an unhappy world.
The boat of love breaks up in the current of everyday life.
_______________________________________________________
In an industrial society which confuses work and productivity, the necessity of producing has always been an enemy of the desire to create. What spark of humanity, of a possible creativity, can remain alive in a being dragged out of sleep at six every morning, jolted about in suburban trains, deafened by the racket of machinery, bleached and steamed by meaningless sounds and gestures, spun dry by statistical controls, and tossed out at the end of the day into the entrance halls of railway stations, those cathedrals of departure for the hell of weekdays and the nugatory paradise of weekends, where the crowd communes in weariness and boredom? From adolescence to retirement each 24-hour cycle repeats the same shattering bombardment, like bullets hitting a window: mechanical repetition, time-which-is-money, submission to bosses, boredom, exhaustion. From the butchering of youth’s energy to the gaping wound of old age, life cracks in every direction under the blows of forced labour. Never before has a civilization reached such a degree of contempt for life; never before has a generation, drowned in mortification, felt such a rage to live. The same people who are murdered slowly in the mechanized slaughterhouses of work are also arguing, singing, drinking, dancing, making love, holding the streets, picking up weapons and inventing a new poetry. Already the front against forced labour is being formed; its gestures of refusal are moulding the consciousness of the future. Every call for productivity in the conditions chosen by capitalist and Soviet economy is a call to slavery.
The necessity of production is so easily proved that any hack philosopher of industrialism can fill ten books with it. Unfortunately for these neo-economist thinkers, these proofs belong to the nineteenth century, a time when the misery of the working classes made the right to work the counterpart of the right to be a slave, claimed at the dawn of time by prisoners about to be massacred. Above all it was a question of surviving, of not disappearing physically. The imperatives of production are the imperatives of survival; from now on, people want to live, not just to survive.
________________________________________________________
There is only one way to be radical. The wall that must be knocked down is immense, but it has been cracked so many times that soon a single cry will be enough to bring it crashing to the ground. Let the formidable reality of the third force emerge at last from the mists of history, with all the individual passions that have fueled the insurrections of the past! Soon we shall find that an energy is locked up in everyday life which can move mountains and abolish distances. The long revolution is preparing to write works in the ink of action whose unknown or nameless authors will flock to join Sade, Fourier, Babeuf, Marx, Lacenaire, Stirner, Lautréamont, L'hautier, Vaillant, Henry, Villa, Zapata, Makhno, the Communards, the insurrectionaries of Hamburg, Kiel, Kronstadt, Asturias -- all those who have not yet played their last card in a game which we have only just joined: the great gamble whose stake is freedom.
________________________________________________________
For passion destroyed is reborn in the passion for destruction.
____________________________________________
What's the use of exchanging one isolation, one monotony, one lie for another? When the illusion of real change has been exposed, a mere change of illusion becomes intolerable. But present conditions are precisely these: the economy cannot stop making us consume more and more, and to consume without respite is to change illusions at an accelerating pace which gradually dissolves the illusion of change. We find ourselves alone, unchanged, frozen in the empty space behind the waterfall of gadgets, family cars and paperbacks.
__________________________
We have nothing in common except the illusion of being together.
__________________________
Is it that I think that I am happy? Hardly! Such a belief doesn't stand up to analysis any better than it withstands the blasts of anguish. On the contrary, it is a belief in the happiness of others, an inexhaustible source of envy and jealousy which gives us a vicarious feeling of existence. I envy, therefore I am. To define oneself by reference to others is to define oneself as other. And the other is always object. So that life is measured in degrees of humiliation, the more you 'live': the more you live the orderly life of things. Here is the cunning of reification, by which it passes undetected, like arsenic in the jam.
__________________________
Human relationships can hardly be discussed in terms of more or less tolerable conditions, more or less admissible indignities. Qualification is irrelevant. Do insults like 'wog' or 'nigger' hurt more than a word of command? When he is summoned, told off, or ordered around by a policeman, a boss, an authority, who doesn't feel deep down, in moments of lucidity, that he is a darkie and a gook?
__________________________
It was as if they were in a cage whose door was wide open without their being able to escape. Nothing outside the cage had any importance, because nothing else existed any more. They stayed in the cage, estranged from everything except the cage, without even a flicker of desire for anything outside the bars. it would have been abnormal -- impossible in fact -- to escape into something which had neither reality nor importance. Absolutely impossible. For inside this cage, in which they had been born and in which they would die, the only tolerable framework of experience was the Real, which was simply an irresistible instinct to act so that things should have importance. Only if things had some importance could one breathe, and suffer. it seemed that there was an understanding between them and the silent dead that it should be so, for the habit of acting so that things had some importance had become a human instinct, and one which was apparently eternal. Life was the important thing, and the Real was part of the instinct which gave life a little meaning. The instinct didn't try to imagine what might lie beyond the Real, because there was nothing beyond it. Nothing important. The door remained open and the cage became more and more painful in its Reality which was so important for countless reasons and in countless ways.
__________________________
Love in its turn swells the illusion of unity. Most of the time it gets fucked up and miscarries. Its songs are crippled by fear of always returning to the same single note: whether there are two of us, or even ten, we will finish up alone as before. What drives us to despair is not the immensity of our own unsatisfied desires, but the moment when our newborn passion discovers its own emptiness. The insatiable desire to fall in love with so many pretty girls is born in anguish and the fear of loving: we are so afraid of never escaping from meetings with objects. The dawn when lovers leave each other's arms is the same dawn that breaks on the execution of revolutionaries without a revolution. Isolation a deux cannot confront the effect of general isolation. Pleasure is broken off prematurely and lovers find themselves naked in the world, their actions suddenly ridiculous and pointless. No love is possible in an unhappy world.
The boat of love breaks up in the current of everyday life.
_______________________________________________________
In an industrial society which confuses work and productivity, the necessity of producing has always been an enemy of the desire to create. What spark of humanity, of a possible creativity, can remain alive in a being dragged out of sleep at six every morning, jolted about in suburban trains, deafened by the racket of machinery, bleached and steamed by meaningless sounds and gestures, spun dry by statistical controls, and tossed out at the end of the day into the entrance halls of railway stations, those cathedrals of departure for the hell of weekdays and the nugatory paradise of weekends, where the crowd communes in weariness and boredom? From adolescence to retirement each 24-hour cycle repeats the same shattering bombardment, like bullets hitting a window: mechanical repetition, time-which-is-money, submission to bosses, boredom, exhaustion. From the butchering of youth’s energy to the gaping wound of old age, life cracks in every direction under the blows of forced labour. Never before has a civilization reached such a degree of contempt for life; never before has a generation, drowned in mortification, felt such a rage to live. The same people who are murdered slowly in the mechanized slaughterhouses of work are also arguing, singing, drinking, dancing, making love, holding the streets, picking up weapons and inventing a new poetry. Already the front against forced labour is being formed; its gestures of refusal are moulding the consciousness of the future. Every call for productivity in the conditions chosen by capitalist and Soviet economy is a call to slavery.
The necessity of production is so easily proved that any hack philosopher of industrialism can fill ten books with it. Unfortunately for these neo-economist thinkers, these proofs belong to the nineteenth century, a time when the misery of the working classes made the right to work the counterpart of the right to be a slave, claimed at the dawn of time by prisoners about to be massacred. Above all it was a question of surviving, of not disappearing physically. The imperatives of production are the imperatives of survival; from now on, people want to live, not just to survive.
________________________________________________________
There is only one way to be radical. The wall that must be knocked down is immense, but it has been cracked so many times that soon a single cry will be enough to bring it crashing to the ground. Let the formidable reality of the third force emerge at last from the mists of history, with all the individual passions that have fueled the insurrections of the past! Soon we shall find that an energy is locked up in everyday life which can move mountains and abolish distances. The long revolution is preparing to write works in the ink of action whose unknown or nameless authors will flock to join Sade, Fourier, Babeuf, Marx, Lacenaire, Stirner, Lautréamont, L'hautier, Vaillant, Henry, Villa, Zapata, Makhno, the Communards, the insurrectionaries of Hamburg, Kiel, Kronstadt, Asturias -- all those who have not yet played their last card in a game which we have only just joined: the great gamble whose stake is freedom.
________________________________________________________
For passion destroyed is reborn in the passion for destruction.
